Status: halfway between Berlin and a dream.
Mood: Industrial devotion. Faith turned fetish.
Muse: Rosalía — post-Catholic, post-pop, fully divine.

1. THE SOUND

Everything began with the hum inside Berghain — the sound of walls sweating, of devotion without lyrics.
Rosalía’s new video cracked that open: sacred music warped through reverb, a sermon whispered through latex. I followed that echo — not trying to replicate her, but to find where the rhythm met religion.

2. THE SYMBOLS

The Raccoon: guardian of the trash altar — a trickster saint.
The Rosary: devotion as jewelry, prayer as loop.
The Sacred Heart / Apple: innocence bitten, bitten again.
Faith / Sin / Light: written on scraps of paper, taped to the wall like commandments that keep changing.

3. THE SILHOUETTE

Tight around the arms — a reminder of constraint.
Dresses cut like sermons — long, draped, repentant. Shoulders squared, as if to confess.
Each piece balances control and collapse; clubwear that prays.

4. THE TEXTILES

Printed like relics: washed ink, rosary chains, sacred hearts fading into bruised reds. A new print direction is emerging — bleeding ombré, bitten fruit, rosary vines. Wool knits feel devotional; latex shine hints at sin.

I’m still chasing the perfect contrast — one fabric that repents, one that tempts.

5. THE PHILOSOPHY

To riFFF = Fixate. Fantasize. Fabricate.

That’s the cycle. The obsession becomes a pattern, the fantasy becomes fabric. Every riff is a prayer disguised as a product drop.

Next: finalizing the “Snow White Acid” finale piece, tuning the sacred heart print for cuffs, and shooting the raccoon again — this time in motion.